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Designed by Note Design Studio
If a design appears to be soft at first glance, it also needs to be soft when you sit in it ? the Ovata is no exception. Its softened lines and grand comfort is available through different pieces: Ovata lounge chair, in two different sizes, and a high back.
Variation
$1,500.00
Defined by the pleated, oval-shaped backrest that gently embraces the rounded seat cushion, the design of the Ovata Dining Chair is inspired by the strong yet softly curved leaves of the succulent from which the design takes its name.
$1,210.00
With a shape that resembles an elevated cake wedge, the design?s focus is on the dynamic, sculptural base that offers stability and a striking visual element in any space. Available in two sizes, the table can either command the spotlight as a standalone piece or synergise in a pairing, adapting seamlessly to an array of […]
$2,550.00
$6,680.00
The Ovata Table features a simple tabletop cast in matt-polished, Grey Jura limestone with subtle fossil markings, reflecting the unique terroir of its origin. The distinctive yet comforting rounded square shape of the tabletop is echoed in the sturdy column base, fostering pleasant transitions between the contrasting yet complimenting tactile surfaces, resulting in a design […]
$4,890.00
This innovative design is an extremely comfortable lounge chair that has a shell inspired by the elegant leaf of an aloe plant, hence the name. This shape is lightly suspended on a steel frame ? both light and sturdy at the same time.
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The Slim line is characterized by an essential design that conveys great lightness. Tables, coffee tables, consoles, benches and sofas that meet all tastes and requirements, fitting all kinds of situations.
The design has a characterful persona with upholstered elements that bring a sense of softness to modern spaces, joined by the functionality of its curved back, allowing for the user to be seated at multiple positions, and the elegant side table.
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.