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Lazada
Designed by Note Design Studio
The Mango lounge chair breathes contemporary life into a classic silhouette. The soft, rolling inside of the chair, inspired by a mango fruit, cut in a square pattern.
Finishes:
Legs in steel powder coated black, upholstery in a selection of fabrics or leather
Dimensions:
W750 x D930 x H950 mm SH400 mm W650 x D470 x H400 mm
$4,220.00
If a design appears to be soft at first glance, it also needs to be soft when you sit in it ? the Ovata is no exception. Its softened lines and grand comfort is available through different pieces: Ovata lounge chair, in two different sizes, and a high back.
$1,170.00
With a shape that resembles an elevated cake wedge, the design?s focus is on the dynamic, sculptural base that offers stability and a striking visual element in any space. Available in two sizes, the table can either command the spotlight as a standalone piece or synergise in a pairing, adapting seamlessly to an array of […]
$2,330.00
$1,110.00
Defined by the pleated, oval-shaped backrest that gently embraces the rounded seat cushion, the design of the Ovata Dining Chair is inspired by the strong yet softly curved leaves of the succulent from which the design takes its name.
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Virginia is a collection designed by Ludovica + Roberto Palomba for Arrmet with a decisive and tangible sign, rich in modernity, sensuality and awareness. The solidity and softness of upholsteries draw near the simplicity and lightness of bases. Virginia plays the eternal duality of reality, in the coexistance of solid and concrete but at the […]
$860.00
Nara metamorphosis, transformation there are many ways that draw designers to invent forms from nature, imagining new scenarios. Nara is inspired by a decontextualized leaf to make your life easy.
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.