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Lazada
Designed by Nichetto Studio
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four versions of Floema low tables offer a variety of surfaces to satisfy different needs and uses in a contract environment, from work to moments of relaxation.
Finishes:
Base in steel powder coated black, top in solid walnut
Dimensions:
DIA400 x H480 mm
$3,590.00
This innovative design is an extremely comfortable lounge chair that has a shell inspired by the elegant leaf of an aloe plant, hence the name. This shape is lightly suspended on a steel frame ? both light and sturdy at the same time.
$1,280.00
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four […]
$3,190.00
A family of seatings that share an aesthetic and functional DNA. Every material is found to fit the best for each product, both for structures and surfaces.
$1,840.00
$2,860.00
Inspired by the harbour bollards used to moor vessels. The perfect equilibrium between shapes and materials, and with a simple, yet strong graphical silhouette, Poller suits any interior design.
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Funghi is a kind of mushroom and also the inspiration for this lively table collection. It is to celebrate the mushroom forms found in forest. Blending with shiny and colorful lacquer finish, Funghi collection brings delight and surprises.
$660.00
Elegant, simplistic yet soft and comfortable stool suitable both for narrow hallways, bedrooms or living rooms. The design is light, comfortable and soft and invites you to have a seat.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.