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Designed by Nichetto Studio
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four versions of Floema low tables offer a variety of surfaces to satisfy different needs and uses in a contract environment, from work to moments of relaxation.
Variation
$3,270.00
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four […]
$3,590.00
This innovative design is an extremely comfortable lounge chair that has a shell inspired by the elegant leaf of an aloe plant, hence the name. This shape is lightly suspended on a steel frame ? both light and sturdy at the same time.
$6,190.00
$1,470.00
$0.00
Art is a spontaneous expression, which dissolves the constraints of traditional culture. The material as a raw element, worked and shaped to highlight its expressive power. Brut is a table with strong references to Art Brut, spontaneous and informal, and brutalist architecture both in the volumes, accentuated and massive, and in the materials, concrete and […]
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Organic lines. Elegantly understated details. Spanning across dining, bar and lounge typologies. The Folium seating series emulates the natural shape of leaves, translating them into a modernly timeless design for professional projects and homes alike.
$1,110.00
Defined by the pleated, oval-shaped backrest that gently embraces the rounded seat cushion, the design of the Ovata Dining Chair is inspired by the strong yet softly curved leaves of the succulent from which the design takes its name.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.