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Lazada
Designed by Nichetto Studio
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four versions of Floema low tables offer a variety of surfaces to satisfy different needs and uses in a contract environment, from work to moments of relaxation.
Variation
$4,840.00
This innovative design is an extremely comfortable lounge chair that has a shell inspired by the elegant leaf of an aloe plant, hence the name. This shape is lightly suspended on a steel frame ? both light and sturdy at the same time.
$3,270.00
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four […]
$1,840.00
$1,860.00
$0.00
The Kite high back sofa breathes a unique character into a known typology with its slenderly linear outline alongside a softly inviting inner. Through its thinly upholstered panels that mimic the planes of a kite, the design adds an elegant sense of privacy to any room.
Defined by the pleated, oval-shaped backrest that gently embraces the rounded seat cushion, the design of the Ovata Dining Chair is inspired by the strong yet softly curved leaves of the succulent from which the design takes its name.
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SYSTEM is a project born from a very simple sign. A rhomboidal and rounded section creates an ideal line for the design of a family of tables and benches, with a light and soft presence. System is a modular and varied program of different heights and dimensions. The purity of the leg section is combined […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.