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Lazada
Designed by Nichetto Studio
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four versions of Floema low tables offer a variety of surfaces to satisfy different needs and uses in a contract environment, from work to moments of relaxation.
Variation
$5,820.00
In a daily life in which we easily move through virtual and remote interactions, Lilin sofa has been conceived as an invitation to communication and conviviality. The soft shapes and rounded lines of the seat and backrest suggest a welcoming feeling of comfort, while the curve of its structure places those who sit in a […]
$3,590.00
This innovative design is an extremely comfortable lounge chair that has a shell inspired by the elegant leaf of an aloe plant, hence the name. This shape is lightly suspended on a steel frame ? both light and sturdy at the same time.
$4,840.00
$2,260.00
A family of seatings that share an aesthetic and functional DNA. Every material is found to fit the best for each product, both for structures and surfaces.
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A pleasant soft and graceful design that of the Bardot collection , with a flavor of the 50s, made of full volumes, rounded lines, wooden legs and rounded corners warm the environment and at the same time create a pleasant harmony of design shapes clean a little Nordic.
The WRAP collection is characterized by a refined and elegant design. It is inspired by the ‘wrap dress’ of the 1970s, a model wrap dress that became an iconic garment, a symbol of modernity and femininity. Like the ‘wrap dress’, this collection wraps in an elegant and timeless style. A continuous, clean line unites legs […]
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.