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Designed by Nichetto Studio
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four versions of Floema low tables offer a variety of surfaces to satisfy different needs and uses in a contract environment, from work to moments of relaxation.
Finishes:
Base in steel powder coated black, top in solid walnut
Dimensions:
DIA600 x H400 mm
$5,820.00
In a daily life in which we easily move through virtual and remote interactions, Lilin sofa has been conceived as an invitation to communication and conviviality. The soft shapes and rounded lines of the seat and backrest suggest a welcoming feeling of comfort, while the curve of its structure places those who sit in a […]
$1,470.00
Floema is a family of low tables whose minimalist design is embodied by the absence of edges, offering a feeling of welcoming elegance. The elliptical or circle roundness of the tops available in stone or wood, mark a feature repeated in the curved details of the steel structure. In different heights and shapes, the four […]
$3,190.00
A family of seatings that share an aesthetic and functional DNA. Every material is found to fit the best for each product, both for structures and surfaces.
$3,270.00
$2,210.00
The table series brings functionality to the everyday through its shelf that is framed by distinctive borders and can be used to display and store everyday objects, books, magazines, stationary items or even decorative objects.
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$5,840.00
The Panorama modular sofa is designed to be an organic fit for any space, be it grand or large. Simply configure and combine its modules exactly as you would like. While its curves allow for it to bring a modern touch to the scenery, its inherent comfort invites the user in for a seat that […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.