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Designed by Jonas Wagell
The table series brings functionality to the everyday through its shelf that is framed by distinctive borders and can be used to display and store everyday objects, books, magazines, stationary items or even decorative objects.
Variation
$1,740.00
$2,770.00
Inspired by the idea of a parlour – a space designed for entertaining, socialising, and relaxation – the Parlour series by Jonas Wagell includes a lounge chair and a complementary ottoman. With pronounced piping details defining the shape, the lounge chair?s sweeping backrest is seamlessly attached to the round, voluminous seat.
The Kite high back sofa breathes a unique character into a known typology with its slenderly linear outline alongside a softly inviting inner. Through its thinly upholstered panels that mimic the planes of a kite, the design adds an elegant sense of privacy to any room.
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A sofa design with a contemporary yet timeless look, created in a modular context that allows you to tailor its elements to your exact needs, be it at home or for a professional project.
Kabu, curve in Japanese. With this name, I stress the conceptual process of the collection design. The light structure is dressed up with a technical fabric that becomes skin and wrap. The curvature generated as a result of the fabric tension on the structure highlights the desire for a lightweight, upholstered frame.
Organic lines. Elegantly understated details. Spanning across dining, bar and lounge typologies. The Folium seating series emulates the natural shape of leaves, translating them into a modernly timeless design for professional projects and homes alike.
The Path sofa is an elegant system defined by a single, fluid line that flows through its modular form, offering flexible, dynamic layouts for any space. The split seat design allows for built-in accessories like side or center tables, while an optional back desk adds function to open-room setups.
The sectional sofa is the theme characterizing typological design since the 90s of last century. Ludovica and Roberto Palomba confront it, emphasizing the sense of suspension from the ground, thanks to a thin metal structure and developing, in the version with terminals, a great peninsula from the gracefully asymmetric shape.