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Designed by Estudi Manel Molina
The Bogart collection, designed by Estudi Manel Molina, is a contemporary review of the traditional enea chair and it grows with the addition of the Lounge seat, which offers more generous and noble proportions but maintains the same values and attributes of sturdiness and comfort. Wood, enea, artisanal, tradition? are materials and concepts that together define the archetype of the Mediterranean chair for excellance, an iconic piece present in our collective memory, an authentic and close chair.
Variation
$1,000.00
The Bogart collection, designed by Estudi Manel Molina, is a contemporary review of the traditional enea chair and it grows with the addition of the Lounge seat, which offers more generous and noble proportions but maintains the same values and attributes of sturdiness and comfort. Wood, enea, artisanal, tradition? are materials and concepts that together […]
$1,280.00
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This comfortable chair is named WATER as it recalls the gentle smoothness of water. The master and the guest chair present slightly different appearances, not only to signify the status of their users but also to harmoniously pair with the WIND tea table. The ?floating? seat, armrest protection and bended wooden back structure highlight the […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.