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Designed by Estudi Manel Molina
The Bogart collection, designed by Estudi Manel Molina, is a contemporary review of the traditional enea chair and it grows with the addition of the Lounge seat, which offers more generous and noble proportions but maintains the same values and attributes of sturdiness and comfort. Wood, enea, artisanal, tradition? are materials and concepts that together define the archetype of the Mediterranean chair for excellance, an iconic piece present in our collective memory, an authentic and close chair.
Variation
$1,280.00
The Bogart collection, designed by Estudi Manel Molina, is a contemporary review of the traditional enea chair and it grows with the addition of the Lounge seat, which offers more generous and noble proportions but maintains the same values and attributes of sturdiness and comfort. Wood, enea, artisanal, tradition? are materials and concepts that together […]
$1,000.00
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The lounge armchair of the Cricket collection is identified by the hand woven rope backrest. Its twisting is a precious craftsmanship element, a refined detail that emphasizes shape and design. Cricket reinterprets classic style bound to traditional garden seats. It offers the ideal dimensions for comfort and a comfortable and spacious seat. These features guarantee […]
Noss combines technology and innovation. A structural rope, harmonious and light, but at the same time robust and enveloping, characterizes the project in a perfect balance between the parts in which soft and welcoming lines embrace strength and solidity. For Noss, the balance between comfort, functionality and research for an innovative design joins technologically advanced […]
$1,440.00
The Missing Chair appears as if a simple line drawing has sprung into life. Sensual yet strong, the soft curve of each line creates a whimsy that is hard to describe. Straight lines have been softened, allowing the timber seat and back to appear as if floating above the thin steel frame. What remains are […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.