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Lazada
Designed by Sami Kallio
Sitting within the larger In Between series, this lounge table carefully echoes many aspects of the In Between chair, from its gentle curvature to the outward splay of its legs.
Variation
$1,000.00$850.00
$1,520.00$1,292.00
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami KallioÕs solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools.
$700.00$595.00
$680.00$578.00
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami KallioÕs solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and chairs.
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Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
$360.00$306.00
Sometimes the simplest things are the most lasting and memorable, the Topan pendant being a brilliant example. It was the first mass produced lamp by Verner Panton, later to be followed by the Flowerpot. TopanÕs simplicity and coolness proves to be evergreen.
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.