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Lazada
Designed by Sebastian Herkner
Named after the traditional Japanese pottery technique, Raku is a compact lamp with considerable presence. Drawing inspiration from the age-old art form, the lamp features a hand-sculpted ceramic base with a crackle glaze that varies slightly in each piece, serving as a reminder to enjoy the imperfections.
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Named after the inventor Margarete Steiff from Germany who invented the Teddy bear. The designer wanted to design a cozy armchair and character by playing with softness and proportions. This armchair is a cozy hub. The refine metal base highlights a soft upholstery with its smooth shapes and an iconic and unique upholstered back leg […]
$360.00
Where elegance meets innovation – Iris. The Led portable lamp was designed by Sebastian Herkner. The durable glass shade with visible bubbles and elegant aluminum base seamlessly combines beauty and functionality, making it perfect for both indoor and outdoor use. With a simple touch, Iris comes to life, offering you a choice of three light […]
Bond is inspired by the Parthenon temple from the Greeks, the expression for solid and sculptural beauty. The table top is in balance with the straight legs which are intersecting with each other in a well crafted and defined way.
OSKAR collection diffuses an oriental charm in a modern and simple style. The accuracy of details, proportion, size, and stability introduces a unique power to the collection.
Gather collection represents diversity. Different materials gather together and each have a distinct personality. It blends decorative form with function for your living room.
Following the concept of the Salver collection, the side table continues to offer harmony and delicate detail. The chamfer on the edge of the table top and the skin-feel lacquer finish highlight the characteristics of the collection. Further more, the side table extend the flexibility of the collection, it works as a convenient laptop stand […]
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.