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Lazada
Designed by Sebastian Herkner
The Sillon series of round mirrors, designed by Sebastian Herkner for &Tradition, takes its cue from the French Art Deco movement. Named after the French word for Ôgroove,Õ the Sillon series of mirrors is punctuated with a corrugated frame that contrasts beautifully with the smooth, reflective glass. Hang at different heights, alone or in decorative configurations in a hallway, bathroom or bedroom.
Variation
$950.00
The Stage side table reveals the beauty of wood. The half concave suface is ideal as a functional container.
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$1,540.00
The Mate tables by award-winning German designer Sebastian Herkner are created with the idea of becoming a companion in the daily life of its user, akin other objects that serve an inherent purpose in the everyday.
Notch chair blends traditional craftsmanship with modern design to celebrate the concept ?less is more?. The curve solid wood backrest offers a graceful profile and the scuplted solid wood arm rest conveys elegance with refine details.
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
Lightness and versatility are the hallmarks of Eddy chair, a fresh new addition to the Polar collection, design Pearson Lloyd. Its flowing and enveloping lines solve elegantlys ome concrete needs: ergonomics, practicality, adaptability.
Sipek, artist and craftsman is able to bend materials to his desires, finds a great potential in rattan and cane, so combines them, bends them and colors them with unusual and sensual patterns.The result is a sculptural vitality suspended between Cubism and baroque.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.