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Lazada
Designed by Robin Day
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
Variation
$1,130.00$960.50
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
$3,290.00$2,796.50
Showcasing a soft, inviting character, the RFH Lounge Chair follows the same design principles as the RFH Armchair. Small in footprint, part of the chair’s charm lies in its low and compact form, offering a lounge piece with a striking silhouette that can be placed in the most modest of spaces.
$2,920.00$2,482.00
Influenced by the notion of flexible design, the Daystak Desk highlights Robin Day’s skill for blending form with utility. The addition of a drawer box with visible dovetail joinery to the Daystak Table expands the functional potential of the design to create a desk that embodies Day’s singular creative focus. The drawer box can be […]
$720.00$612.00
Designed with stackability in mind, the Daystak Side Chair by Robin Day is a lesson in functional utility and the beauty of simple forms. Exhibiting the designer’s dedication to craft, the side chair’s complex construction belies its visual simplicity and minimalist mid-century silhouette.
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“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
$1,680.00
The Albini AM/AS collection represents the rationalistic philosophy of the Milanese architect. A 1969 design that combines linear shapes with the extreme quality of materials, such as the hand-blown glass of diffusers. Aiming to manage the different volumes of the space with a single design: ceiling, wall, floor and table.
Metal chair with structure in steel squared tube and upholstered seat. It featurea a soft cap which covers the back and is customizable both in colour and embroidery, hence the name HAT.
The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.