Visit us in store for a wider selection of items not found online.
Lazada
Designed by Hvidt & Molgaard
The 1956 Drawn chair by Hvidt & Molgaard stands out as a definitive piece of Danish design. Built upon traditional craftsmanship techniques and made out of organic materials, it brings a sense of wholesome honesty to any space. Available in oiled oak, oiled walnut, soaped oak, and the newest addition of black lacquered oak. It comes in two versions: a wider model with arm rests, or one without.
Variation
$740.00
An adaptation inspired by sketches of the original lamp by Hvidt & Mølgaard, the Tripod wall lamp remains true to the essence of the Tripod design. Cafted from lacquered aluminum, the wall lamp is anchored by a spherical base that establishes a visually solid foundation, while the shade’s swivel feature allows the lamp to distribute […]
$2,060.00
After experimenting for years with the concept of a laminated wooden frame inspired by old wooden tennis rackets, Danish design duo Hvidt & Molgaard released X in 1959, a lounge chair with a distinctive sloping silhouette and understated aesthetic.
$530.00
The Tripod table lamp embodies the discerning practice of historic design duo Hvidt & Mølgaard. Considered Old Masters of mid-century Danish design, the lamp lends a sculptural element to each space its inhabits. For easy articulation and a more precise light, a swivel joint has been developed – a feature seen across the entire Tripod […]
$7,920.00
$300.00
$810.00
At first glance, Lato resembles a sculpture, with its slim, oval or round table top balanced by an oval-shaped base. Striking, graphic and poetic, its purity of form is proof that simple is sophisticated. With Lato, Nichetto wanted to keep the simplicity and streamline into a timeless side table in a style that could easily […]
$3,020.00
0
A table that plays on an apparent imbalance, supporting a strongly materic top, especially in the version, by a sequence of three structures placed in a totally unpredictable way. Built as parallelepipeds and fixed either perpendicularly or parallel to the surface, the three base frames are configured rather like a “vacuum†that seems to let […]