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Lazada
Designed by Hvidt & Molgaard
Originally designed in 1959, the X table exemplifies the pinnacle of Hvidt & Mølgaard’s work as creative collaborators. Revived from family archives, the table draws its unique design from ancient Egyptian folding chairs. Based on the same principles as the X chair, for which it was originally created to complement, the X table showcases the same sloping frame and discerning use of the material at hand.
Finishes:
Structure in oak veneer with solid walnut insert, fitting and rod in metal power coated black
Dimensions:
W1200 x D610 x H470 mm
$2,060.00
AX represents one of the first times that plywood was shaped in 3D. The continuous curve of the armrests is mirrored in the frame, indicative of Hvidt & Mølgaard’s training in Danish cabinetry. Their expert engineering of the construction ensures unsurpassed ergonomics, resulting in the design’s reputation as the most comfortable wooden chair of its […]
$1,210.00
A design built from lacquered steel, the Tripod floor lamp strikes a delicate balance between the stark simplicity of its form and the softness of its curved edges. For easy articulation and a more precise light, a swivel joint has been developed – a feature seen across the entire Tripod range.
$2,110.00
Looking to create a versatile piece that would adapt to its surroundings, design duo Hvidt & Molgaard devised this handsome lounge table in 1956. As part of the Drop Leaf series, it boasts the same curved wooden frames and easily foldable design. Available in solid walnut or oak.
$7,920.00
$530.00
Sitting within the larger In Between series, this lounge table carefully echoes many aspects of the In Between chair, from its gentle curvature to the outward splay of its legs.
$510.00
Wall lamps designed in 1962 by Charlotte Perriand for her mountain chalet in M?ribel in the French Alps.
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Palace dining table and its unique design become the outright protagonist of the living area, thanks also to the new shapes. An important element that sets the mood of the whole room.
Tables, for a designer, are somehow suspended between architecture and sculpture. Littman visualize this suspension in Lybra project, by emphasizing the steel supporting beam, making it evident through the top transparency and giving it the value of a craftwork.