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Lazada
Designed by Hvidt & Molgaard
Originally designed in 1959, the X table exemplifies the pinnacle of Hvidt & Mølgaard’s work as creative collaborators. Revived from family archives, the table draws its unique design from ancient Egyptian folding chairs. Based on the same principles as the X chair, for which it was originally created to complement, the X table showcases the same sloping frame and discerning use of the material at hand.
Finishes:
Structure in oak veneer with solid walnut insert, fitting and rod in metal power coated black
Dimensions:
W1200 x D610 x H470 mm
$740.00
An adaptation inspired by sketches of the original lamp by Hvidt & Mølgaard, the Tripod wall lamp remains true to the essence of the Tripod design. Cafted from lacquered aluminum, the wall lamp is anchored by a spherical base that establishes a visually solid foundation, while the shade’s swivel feature allows the lamp to distribute […]
$2,110.00
Looking to create a versatile piece that would adapt to its surroundings, design duo Hvidt & Molgaard devised this handsome lounge table in 1956. As part of the Drop Leaf series, it boasts the same curved wooden frames and easily foldable design. Available in solid walnut or oak.
$1,210.00
A design built from lacquered steel, the Tripod floor lamp strikes a delicate balance between the stark simplicity of its form and the softness of its curved edges. For easy articulation and a more precise light, a swivel joint has been developed – a feature seen across the entire Tripod range.
$7,920.00
$300.00
Eclisse, a table lamp which can also be wall mounted, is designed by Vico Magistretti in 1965, won the Compasso d?Oro Award in 1967 and become ambassador of Italian design worldwide. Eclisse is an avant-garde balance between form and function, design and utility. The concept?s foundation lies in its functionality of adjusting the intensity of […]
$2,960.00
$630.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
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Anapo’s collection of tables, in the rectangular and circular version and in different sizes including a side table. Its inspiration lies in the Sixties and in a specific idea of middle-class home torn between rigour and softness, luxury and functionality, indifferent to passing fads.