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Lazada
Designed by Hvidt & Molgaard
Originally designed in 1959, the X table exemplifies the pinnacle of Hvidt & Mølgaard’s work as creative collaborators. Revived from family archives, the table draws its unique design from ancient Egyptian folding chairs. Based on the same principles as the X chair, for which it was originally created to complement, the X table showcases the same sloping frame and discerning use of the material at hand.
Finishes:
Structure in oak veneer with solid walnut insert, fitting and rod in metal power coated black
Dimensions:
W1200 x D610 x H470 mm
$1,210.00
A design built from lacquered steel, the Tripod floor lamp strikes a delicate balance between the stark simplicity of its form and the softness of its curved edges. For easy articulation and a more precise light, a swivel joint has been developed – a feature seen across the entire Tripod range.
$1,190.00
The 1956 Drawn chair by Hvidt & Molgaard stands out as a definitive piece of Danish design. Built upon traditional craftsmanship techniques and made out of organic materials, it brings a sense of wholesome honesty to any space. Available in oiled oak, oiled walnut, soaped oak, and the newest addition of black lacquered oak. It […]
$740.00
An adaptation inspired by sketches of the original lamp by Hvidt & Mølgaard, the Tripod wall lamp remains true to the essence of the Tripod design. Cafted from lacquered aluminum, the wall lamp is anchored by a spherical base that establishes a visually solid foundation, while the shade’s swivel feature allows the lamp to distribute […]
$1,610.00
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The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
This minimalist and highly elaborate chair is a re-design of the classic model No. 14. The designer divided its six pieces by two and 002 emerged – a chair made from only three pieces. Two of them – the manually processed bends – are identical and form legs, backrest and armrests all in one.