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Designed by Giacomo Cattani
The SELF table base has soft and rounded shapes, it combines solidity and style; versatile to use both indoors and outdoors. The metal or HPL top, personalizes the environments, both round and square, with many variations and possibilities.
Finishes:
Structure in metal lacquered in a selection of colours, top in solid ash or beech or in ash veneer stained or lacquered in a selection of colours, HPL or fenix laminate
Dimensions:
DIA600 x H750 mm DIA700 x H750 mm W600 x D600 x H750 mm W700 x D700 x H750 mm
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The harmonic and enveloping shells in powder-coated metal tubing that define the Skin armchair – designed by Giacomo Cattani – evolve and transform themselves to compose a real collection. The play of colors – a plus that defines the Trabà production – can be emphasized by the many options in terms of shades and fabrics […]
$2,230.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
$1,170.00
Twisty is an innovative and revolutionary work that was inspired by AI generated image. The round tubes are twisted into a complex loop shape that is also an armchair. The endless loop represents limitless data and infinite future possibilities. HC28 Cosmo shares the concept of “Man versus Machine”, combining Artificial Intelligence with Artistic Intelligence to […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
Oblique corners reminding of ancient obelisk shapes, creating an architectural play of light and shadow. Full volumes seem to float above the floor, on hidden base. Crystal is a collection of sofas and armchairs away from ordinary standards and clichés which gives birth to a suspended and dynamic effect with no need of aesthetical devices. […]