Visit us in store for a wider selection of items not found online.
Designed by Emilio Nanni
Asymmetrical design for a stool that almost seems to dance, move, invite to socialization and sharing. Nhino, available in three different heights, is perfect for use around the kitchen table for breakfast or in the living room for lunch or in the living room for tea and coffee. A versatile seat also in the contract. In particular in informal style places, such as lounge bars or fast food restaurants. Perfect in the higher version, to be placed next to the counter for aperitifs.
Finishes:
Structure in solid beech with beech veneer in natural, stained or lacquered in a selection of colours
Dimensions:
W440 x D360 x H470 mm
0
The BARDOT tube version stands out for its elegance and shine, which amplifies its stylistic figure with new structures, new pastel shades and vibrant colors, and refined and current finishes. The structure is lightened with clean legs thanks to the use of the metal rod. A pleasantly soft and graceful design, that of the new […]
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
The Marlen project is born in the name of comfort, ergonomics and resistance , the new Trabà chair designed by EP Studio. You can see a Fifties flavor in the curvature of the backrest – generously padded like the seat – and in the 4-legged structure in light and dynamic metal rod, which becomes more […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
The effect of Kristalia Joko’s upholstered chair is one of soothing simplicity. This simplicity belies a long and deliberate design process and a rigorous production phase wherein every last detail is considered. Combine this elegance of form with its considered inception and you have one comfortable upholstered chair. The metal frame of the chair provides […]