Visit us in store for a wider selection of items not found online.
Lazada
Designed by EP Studio
The Marlen project is born in the name of comfort, ergonomics and resistance , the new Trabà chair designed by EP Studio. You can see a Fifties flavor in the curvature of the backrest – generously padded like the seat – and in the 4-legged structure in light and dynamic metal rod, which becomes more prosperous and retro in the solid ash version. Brass or brushed copper enrich the vintage color palette with which to play to obtain the perfect seat, in a residential project as well as for tailor-made contracts.
Finishes:
Structure in solid ash in natural, stained or lacquere in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W510 x D560 x H890 mm SH670 mm W510 x D570 x H1000 mm SH780 mm
0
The Marlen project is born in the name of comfort, ergonomics and resistance , the new Trabà chair designed by EP Studio. You can see a Fifties flavor in the curvature of the backrest – generously padded like the seat which becomes more prosperous and retro in the solid ash version.
The Marlen project is born in the name of comfort, ergonomics and resistance , the new Trabà chair designed by EP Studio. You can see a Fifties flavor in the curvature of the backrest – generously padded like the seat – and in the 4-legged structure in light and dynamic metal rod, which becomes more […]
Nara metamorphosis, transformation there are many ways that draw designers to invent forms from nature, imagining new scenarios. Nara is inspired by a decontextualized leaf to make your life easy.
A chair deliberately abstract in its composition and, for this reason, comfortable in unpredictable ways. Seemingly carved into a block, Toy speaks a language of sharp and broad plans that make it different from other molded polypropylene chairs. In this connotation Toy is unique even within the design corpus of Philippe Starck.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.