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Lazada
Designed by Emilio Nanni
Kirk is a new system of armchairs and sofas conceived as a game of constructions in which the container and the contents change the interlocking game on minimal asymmetries, unexpected openings, compositional subtleties. Kirk sofa adapts perfectly to all spaces that want to fix the living room area with refinement and originality and redefines the theme of the soft seat with an apparently linear solution but at the same time rather full of intriguing surprises: the asymmetrical backrest as well as the armrests in a new combination they combine the geometries of the interlocking volumes without sacrificing the comfort and softness of the padded volumes. To widen the composition possibilities, there is a lateral support surface integrated in the right or left side for both the sofa and the armchair.
Finishes:
Structure in metal lacquered in a selection of colours, upholstery in a selection of fabrics or leather, optional side table in metal
Dimensions:
W800 x D660 x H620 mm
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The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
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The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
$1,830
Designed in 1970 by Giancarlo Piiretti, plona is a folding and stackable armchair. A truly unique design that combines aesthetics, functionality and comfort.
$690
Named after the Betty Nansen theatre in Copenhagen, this stackable chair is a true evergreen design.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.