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Lazada
Designed by Emilio Nanni
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the mood between memory and modernity. A transversal proposal to create welcoming domestic settings or to furnish contract spaces.
Finishes:
Structure in solid beech with beech veneer in natural, stained or lacquered in a selection of colours, back woven in rope
Dimensions:
W530 x D470 x H770 mm SH470 mm
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The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
Kirk is a new system of armchairs and sofas conceived as a game of constructions in which the container and the contents change the interlocking game on minimal asymmetries, unexpected openings, compositional subtleties. Kirk sofa adapts perfectly to all spaces that want to fix the living room area with refinement and originality and redefines the […]
The Pier Stool is inspired by the thick and straight cylindrical pillars of pier structures. Made entirely from solid oak, the stool is composed by using only mortise and tenon joints, allowing the wood fibres to run continuously throughout, giving the piece sustained durability. With its unique and continuous sled legs, Pier casts an elegant […]
With this project Traba ‘inaugurates the collaboration with the designer Massimo Broglio, who gives life to a stackable seat and not from the cross-shaped structure in beech and ash, and with circular section legs that thin at the ends . Many chromatic shades and the variety of padding that make Edith – with a Scandinavian, […]
A collection of important high tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
The deconstructed structure, obtained in the legs by the crossing of three different profiles – round, oval and square – refers to a recycling approach of materials from different processes.