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Designed by Emilio Nanni
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the mood between memory and modernity. A transversal proposal to create welcoming domestic settings or to furnish contract spaces.
Finishes:
Structure in solid beech in natural, stained or lacquered in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W530 x D470 x H770 mm SH470 mm
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The overall vision created by the harmony of the beveled shapes, the full volumes and the soft but minimal design is recreated in a more rock, metallic version, thanks to the structure that lightens the seat. A wide range of colors for the padding, covered in velvet, or leather or eco-leather makes it suitable for […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
$1,110.00
Defined by the pleated, oval-shaped backrest that gently embraces the rounded seat cushion, the design of the Ovata Dining Chair is inspired by the strong yet softly curved leaves of the succulent from which the design takes its name.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
The effect of Kristalia Joko’s upholstered chair is one of soothing simplicity. This simplicity belies a long and deliberate design process and a rigorous production phase wherein every last detail is considered. Combine this elegance of form with its considered inception and you have one comfortable upholstered chair. The metal frame of the chair provides […]
A collection of important high tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.