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Designed by Emilio Nanni
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the mood between memory and modernity. A transversal proposal to create welcoming domestic settings or to furnish contract spaces.
Finishes:
Structure in solid beech in natural, stained or lacquered in a selection of colours, back woven in rope, seat upholstered in a selection of fabrics or leather
Dimensions:
W530 x D470 x H770 mm SH470 mm
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The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
The AKY collection of side tables is enriched with a new variant that combines the rounded and irregular shape of the top – in addition to the classic wooden trestle legs and rounded – combines metal legs, more slender and slender, which renew their impact .
Mei is a lacquered wood chair that distills the Ming archetype into a clean, rectilinear silhouette with a quietly modern stance. Pared-back details are softened with an upholstered seat. It reflects a universal elegance that feels both familiar and new.
Someone once said that ‘form follows function.’ This remarkable little Plana fabric chair, designed by Kristalia, follows that dictum to a ‘t’ with its smooth, solid lines, brave planes, and delightfully refined shape. Its light padding makes it exceptionally comfortable. This chair, with its esteemed and highly recognizable design, will not lose its powerful visual […]
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.