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Designed by Emilio Nanni
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the mood between memory and modernity. A transversal proposal to create welcoming domestic settings or to furnish contract spaces.
Finishes:
Structure in solid beech in natural, stained or lacquered in a selection of colours, back woven in rope, seat upholstered in a selection of fabrics or leather
Dimensions:
W530 x D470 x H770 mm SH470 mm
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The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity. The color range offers the natural tones of ash, bleached […]
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
Hybridization is the concept behind the Jackie collection, designed by Emilio Nanni – a seat in which the stable solid wood structure meets a welcoming backrest in metal rod covered with a rope weave. Jackie is enriched with new colors, very decisive and characterizing, in a fruitful and harmonious dialogue between heterogeneous materials, ethnic hints […]
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
This armchair with an open backrest comes from TON’s traditional line of products. Typical are: its timeless shape and versatile usage.