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Designed by Cesare EHR
The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this new version in the armrests – fits discreetly into any space, connoting it with lightness.
Finishes:
Structure in metal lacquered in a selection of colours or plated brush or shiny copper, brass or champagne gold, back in rope, upholstery in a selection of fabrics or leather
Dimensions:
W510 x D510 x H730 mm SH470 mm
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The Genoa seating collection , designed by the young Cesare Ehr , expands with the stool and chair versions with armrests, also in the outdoor variant . The characterizing element is the ‘one line’ backrest, obtained by the curvature of a single metal tube which – with its virtually infinite sinuous line, extended in this […]
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
$2,910.00
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined […]
$1,770.00
A throwback to mid-century modern? Not quite. Extreme proportions lend themselves to an elegant and surprising form in this update to an old classic. The smooth, yet decisive, shift between slim and solid, which creates the Bukowski chair?s curvaceous legs, is played out like a lively dance with the material. Meanwhile the balance of the […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.