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Designed by Massimo Broglio
With this project Traba ‘inaugurates the collaboration with the designer Massimo Broglio, who gives life to a stackable seat and not from the cross-shaped structure in beech and ash, and with circular section legs that thin at the ends . Many chromatic shades and the variety of padding that make Edith – with a Scandinavian, sober and discreet mood – an ideal seat both in domestic environments and in large contract projects.
Finishes:
Base in solid beech with veneer or solid ash with ash veneer in natural, stained or lacquered in a selection of colours
Dimensions:
W510 x D520 x H890 mm SH700 mm W510 x D520 x H990 mm SH800 mm
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The deconstructed structure, obtained in the legs by the crossing of three different profiles – round, oval and square – refers to a recycling approach of materials from different processes.
With this project Traba ‘inaugurates the collaboration with the designer Massimo Broglio, who gives life to a stackable seat and not from the cross-shaped structure in beech and ash, and with circular section legs that thin at the ends . Many chromatic shades and the variety of padding that make Edith – with a Scandinavian, […]
As strong as it is light and as sleek as it is versatile, the new Plana stackable plastic chair from Kristalia brings cutting edge Italian design to the home, office and garden. Offering great value for money the Plana is not only beautiful and comfortable, but practical.
Aky stool, like the tables, is supported by legs with central meeting, which impart impetus and lightness. The circular wooden seat is also available in a version with upholstered fabric, on which a colored central button stands out.
$1,440.00
The Missing Chair appears as if a simple line drawing has sprung into life. Sensual yet strong, the soft curve of each line creates a whimsy that is hard to describe. Straight lines have been softened, allowing the timber seat and back to appear as if floating above the thin steel frame. What remains are […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.