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Designed by Massimo Broglio
With this project Traba ‘inaugurates the collaboration with the designer Massimo Broglio, who gives life to a stackable seat and not from the cross-shaped structure in beech and ash, and with circular section legs that thin at the ends . Many chromatic shades and the variety of padding that make Edith – with a Scandinavian, sober and discreet mood – an ideal seat both in domestic environments and in large contract projects.
Finishes:
Base in solid beech with veneer or solid ash with ash veneer in natural, stained or lacquered in a selection of colours, seat upholstered in a selection of fabrics or leather
Dimensions:
W510 x D520 x H890 mm SH700 mm W510 x D520 x H990 mm SH800 mm
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The deconstructed structure, obtained in the legs by the crossing of three different profiles – round, oval and square – refers to a recycling approach of materials from different processes.
With this project Traba ‘inaugurates the collaboration with the designer Massimo Broglio, who gives life to a stackable seat and not from the cross-shaped structure in beech and ash, and with circular section legs that thin at the ends . Many chromatic shades and the variety of padding that make Edith – with a Scandinavian, […]
This comfortable chair is named WATER as it recalls the gentle smoothness of water. The master and the guest chair present slightly different appearances, not only to signify the status of their users but also to harmoniously pair with the WIND tea table. The ?floating? seat, armrest protection and bended wooden back structure highlight the […]
$1,390.00
Tiracord, designed in 1961, exemplifies Vilanova?s lifelong aim to elevate the utilitarian through design
This minimalist and highly elaborate chair is a re-design of the classic model No. 14. The designer divided its six pieces by two and 002 emerged – a chair made from only three pieces. Two of them – the manually processed bends – are identical and form legs, backrest and armrests all in one.
$1,850.00
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success […]