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Lazada
Designed by Massimo Broglio
With this project Traba ‘inaugurates the collaboration with the designer Massimo Broglio, who gives life to a stackable seat and not from the cross-shaped structure in beech and ash, and with circular section legs that thin at the ends . Many chromatic shades and the variety of padding that make Edith – with a Scandinavian, sober and discreet mood – an ideal seat both in domestic environments and in large contract projects.
Finishes:
Base in solid beech with veneer or solid ash with ash veneer in natural, stained or lacquered in a selection of colours
Dimensions:
W460 x D470 x H760 mm SH470 mm
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With this project Traba ‘inaugurates the collaboration with the designer Massimo Broglio, who gives life to a stackable seat and not from the cross-shaped structure in beech and ash, and with circular section legs that thin at the ends . Many chromatic shades and the variety of padding that make Edith – with a Scandinavian, […]
The deconstructed structure, obtained in the legs by the crossing of three different profiles – round, oval and square – refers to a recycling approach of materials from different processes.
$1,830.00
Designed in 1970 by Giancarlo Piiretti, plona is a folding and stackable armchair. A truly unique design that combines aesthetics, functionality and comfort.
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
$2,790.00
The design of the armchair combines, in a hybridisation process, two parts that are only apparently separate from the point of view of formal memory: the rotating tripod made of light die-cast aluminium, furnished with a visible shock-absorbing mechanism, and the enveloping shell made of Vienna cane stretched over a frame of hot-bent and machined […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.