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Lazada
Designed by Emilio Nanni
The BARDOT tube version stands out for its elegance and shine, which amplifies its stylistic figure with new structures, new pastel shades and vibrant colors, and refined and current finishes. The structure is lightened with clean legs thanks to the use of the metal rod. A pleasantly soft and graceful design, that of the new Bardot Collection, with a 1950s flavor, made of full volumes, rounded lines, rounded corners and in which a singular overall harmony is felt.
Finishes:
Metal legs and arms lacquered in a selection of colours or plated brush or shiny copper, brass or champagne gold, upholstery in a selection of fabrics or leather
Dimensions:
W560 x D600 x H690 mm SH420 mm
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The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.
Characterized by a sophisticated balance between structure and seat, which appears to be suspended, it represents the typical expression of Italian craftmanship. The structure is realized in curved wood, with a natural, black stained or walnut finish, combined with a wooden or covered seat in various finishes.
$1,130.00
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
Laudani & Romanelli choose to rediscover the discretion of volumetric restraint. The armchair thus becomes an easy chair and a place of the individual, passepartout to forgotten customs: easy chairs around tables, in bedrooms or in vestibules.