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Designed by Emilio Nanni
The BARDOT tube version stands out for its elegance and shine, which amplifies its stylistic figure with new structures, new pastel shades and vibrant colors, and refined and current finishes. The structure is lightened with clean legs thanks to the use of the metal rod. A pleasantly soft and graceful design, that of the new Bardot Collection, with a 1950s flavor, made of full volumes, rounded lines, rounded corners and in which a singular overall harmony is felt.
Finishes:
Metal legs lacquered in a selection of colours or plated brush or shiny copper, brass or champagne gold, upholstery in a selection of fabrics or leather
Dimensions:
W450 x D510 x H780 mm SH470 mm
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The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
The AKY collection of side tables is enriched with a new variant that combines the rounded and irregular shape of the top – in addition to the classic wooden trestle legs and rounded – combines metal legs, more slender and slender, which renew their impact .
$1,000.00
The Bogart collection, designed by Estudi Manel Molina, is a contemporary review of the traditional enea chair and it grows with the addition of the Lounge seat, which offers more generous and noble proportions but maintains the same values and attributes of sturdiness and comfort. Wood, enea, artisanal, tradition? are materials and concepts that together […]
Huma chair is a project trying to preserve the classic philosophy of rattan production process while engaging in a research for greater comfort through the use of flexible ribs in its shell-shaped backrest and its upholstered seat.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.
This classic chair No. 14 has been transformed into a barstool. Manually bent beech wood is used for the frame. The seat can be made of plywood, with a decorative relief, cane mesh or it can be upholstered in all types of materials.