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Designed by Emilio Nanni
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. Balù is a reassuring and perfect presence for an important but at the same time demanding dining area in terms of design. It is an object that can be used in any space such as meeting rooms, small conference rooms, reading room or in different rooms of the house, living room, study or night area where performance features are required combined with a comfortable presence and a strong personality.
Finishes:
Base in solid beech in natural, stained or lacquered in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
W690 x D620 x H890 mm SH400 mm
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A pleasant soft and graceful design that of the Bardot collection , with a flavor of the 50s, made of full volumes, rounded lines, wooden legs and rounded corners warm the environment and at the same time create a pleasant harmony of design shapes clean a little Nordic.
A collection of important high tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
The deconstructed structure, obtained in the legs by the crossing of three different profiles – round, oval and square – refers to a recycling approach of materials from different processes.
$1,850.00
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success […]
Obtained form the ancient wax casting technique, Miss Lacy represents and makes accessible a baroque lace by transforming it into an embracing shell. Characterized by the expertly pierced shiny mirrored stainless steel. A true jewel than to a functional object.
$1,310.00
The 1956 Drawn chair by Hvidt & Molgaard stands out as a definitive piece of Danish design. Built upon traditional craftsmanship techniques and made out of organic materials, it brings a sense of wholesome honesty to any space. Available in oiled oak, oiled walnut, soaped oak, and the newest addition of black lacquered oak. It […]