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Designed by Emilio Nanni
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
Finishes:
Structure in metal lacquered in a selection of colours, top in solid ash or beech or in ash veneer stained or lacquered in a selection of colours, HPL or fenix laminate
Dimensions:
W600 x D600 x H750 mm W700 x D700 x H750 mm W800 x D800 x H750 mm W900 x D900 x H750 mm W1000 x D1000 x H750 mm W1250 x D1250 x H750 mm
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A pleasant soft and graceful design that of the Bardot collection , with a flavor of the 50s, made of full volumes, rounded lines, wooden legs and rounded corners warm the environment and at the same time create a pleasant harmony of design shapes clean a little Nordic.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity. The color range offers the natural tones of ash, bleached […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
The Merano bar stool combines the bottom design made of solid wood with harmonic shapes of bent plywood in the seat and backrest. Thanks to the production technology used, it is remarkably light and does not contain any screws or metal pieces. Together with the chair and the low bar stool design, it creates a […]
The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the chaise longue and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.
Its structure emerges from a game of tangent lines between its four organic frames and of those with the seat, thus securing stability and at the same turning it almost transparent.