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Designed by Emilio Nanni
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity. The color range offers the natural tones of ash, bleached or cocoa-stained ash or new color combinations in light shades with open pore finish. Top in varnished ash veneered mdf or lacquered version, metal base structure with the possibility of central meeting. The collection includes square, round and rectangular table.
Finishes:
Base and top in solid ash in natural, stained or lacquered in a selection of colours
Dimensions:
W1600 x D900 x H750 mm W1800 x D1000 x H750 mm W2000 x D1000 x H750 mm W2200 x D1000 x H750 mm W2400 x D1000 x H750 mm
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The BARDOT tube version stands out for its elegance and shine, which amplifies its stylistic figure with new structures, new pastel shades and vibrant colors, and refined and current finishes. The structure is lightened with clean legs thanks to the use of the metal rod. A pleasantly soft and graceful design, that of the new […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
$630.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
Mellow chair is inspired by layed clouds. It gently hugs you with its whimsical and layered back. The tubular metal legs adds a polish touch to the design.
The Film chair strikes an interesting silhouette between minimalistic and surprising. It features straight lines, emphasizing geometric structure and symmetry, creating an orderly and harmonious visual effect and presenting a sharp and clear aesthetic. The seat is lightly padded, creating a combination of suppleness and strength.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.