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Designed by Emilio Nanni
The AKY collection of side tables is enriched with a new variant that combines the rounded and irregular shape of the top – in addition to the classic wooden trestle legs and rounded – combines metal legs, more slender and slender, which renew their impact .
Finishes:
Base and top in solid ash in natural, stained or lacquered in a selection of colours
Dimensions:
W480 x D480 x H400 mm W480 x D480 x H500 mm W480 x D480 x H600 mm
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A collection of important high tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
Asymmetrical design for a stool that almost seems to dance, move, invite to socialization and sharing. Nhino, available in three different heights, is perfect for use around the kitchen table for breakfast or in the living room for lunch or in the living room for tea and coffee. A versatile seat also in the contract. […]
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
$1,850.00
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success […]
This chair highlights the traditional shapes which give a very fine and elegant impression.