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Designed by Emilio Nanni
The AKY collection of side tables is enriched with a new variant that combines the rounded and irregular shape of the top – in addition to the classic wooden trestle legs and rounded – combines metal legs, more slender and slender, which renew their impact .
Finishes:
Base and top in solid ash in natural, stained or lacquered in a selection of colours
Dimensions:
W480 x D480 x H400 mm W480 x D480 x H500 mm W480 x D480 x H600 mm
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The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
The AKY collection of coffee tables is enriched with a new variant that combines the rounded and irregular shape of the top – in addition to the classic wooden trestle legs and rounded – combines metal legs, more slender and slender, which renew their impact .
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Heavy elements are linked to lighter ones, like ink marks drawn on a sheet of paper to form a character, a letter, an ideogram._ Clear contrasts of thickness translate into incisive graphic expressions: to give life to these unmistakable figures in marble and ash wood, Monica F?rster is inspired by calligraphy, the art of writing […]
Funghi is a kind of mushroom and also the inspiration for this lively table collection. It is to celebrate the mushroom forms found in forest. Blending with shiny and colorful lacquer finish, Funghi collection brings delight and surprises.
$1,550.00
Rooted in the tradition of Scandinavian materiality and craftsmanship, the table seamlessly combines modern functionality with adaptability to diverse settings. The refined design exudes sophistication, as defined by its bespoke lines, while the integrated storage enhances both form and function, maintaining unity within the Mass design family through its elemental materials.
Even a coffee table can become a piece of art if it can stand regardless of the typological limitations. Fredrikson Stallard address the issue with the strength of the material to be bent and shaped. The result is a completely new form, marked by an important, and expressionistic, depression in the center of the top.