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Designed by Emilio Nanni
A collection of important high tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
Finishes:
Base in solid ash in natural, stained or lacquered in a selection of colours, top in solid ash or beech or in ash veneer stained or lacquered in a selection of colours, HPL or fenix laminate
Dimensions:
DIA600 x H1100 mm DIA700 x H1100 mm W600 x D600 x H1100 mm W700 x D700 x H1100 mm
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The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
Asymmetrical design for a stool that almost seems to dance, move, invite to socialization and sharing. Nhino, available in three different heights, is perfect for use around the kitchen table for breakfast or in the living room for lunch or in the living room for tea and coffee. A versatile seat also in the contract. […]
A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
$2,220.00
Designed in 1951, the Daystak Table exemplifies Robin Day’s meticulous attention to detail and celebration of the material at hand. Showcasing the same striking, A-shaped legs as the Daystak Side Chair and Desk, the table sits in tandem with the rest of the collection to create a distinctly mid-century ensemble.
The table has been inspired by the dynamism of a moving element, like the ribbon of a gymnast that vaults in the air drawing natural and soft shapes. Its original look furnishes the living area with a touch of essential harmony.
Very lucidly, Enzo Mari decided to realize this tables collection with transparent crystal tops in order to valorise the harsh simplicity of steel sections bases. Designed in 1973 for Driade, uninterruptedly producted since then, these pieces can be certainly numbered among the most successful of the Milan master.