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Designed by Emilio Nanni
A collection of important high tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity.
Finishes:
Base in solid ash in natural, stained or lacquered in a selection of colours, top in solid ash or beech or in ash veneer stained or lacquered in a selection of colours, HPL or fenix laminate
Dimensions:
DIA600 x H1100 mm DIA700 x H1100 mm W600 x D600 x H1100 mm W700 x D700 x H1100 mm
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A collection of important dining tables with a rounded and regular imprint of the top and trestle legs reminiscent of the workbenches and the archetypal shape of the table. A pleasantly minimal aspect revisited by a calibrated sizing, an evident materiality and a declared solidity. The color range offers the natural tones of ash, bleached […]
The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
$900.00
The OAT armchair was crafted with deep respect for natural materials and traditional craftsmanship. Inspired by the organic curves and forms of slubs and leaves, it reimagines these elements into a new classic chair for contemporary living, infused with a touch of Wabi-sabi elegance. OAT is an ideal choice for homes, cafes, boutique hotels, and […]
Unnia is a versatile and extensive collection of chairs with a unique mix and match concept of colours and finishes. The chair design allows the combination of different finishes and colours for the seats, backrests and frames. This means that endless combinations can be made. In addition, the collection offers chairs with a range of […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.