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Lazada
Designed by Emilio Nanni
Aky stool, like the tables, is supported by legs with central meeting, which impart impetus and lightness. The circular wooden seat is also available in a version with upholstered fabric, on which a colored central button stands out.
Finishes:
Metal legs powder coated in a selection of colours, upholstery in a selection of fabrics or leather
Dimensions:
DIA420 x H670 mm DIA420 x H780 mm
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The deep and rounded seat invites to relax and talk. A perfect balance of the volume of the body which perfectly combines with the characteristic support structure, thus defining a new idea of ??the “cockpit” type. Balù provides numerous chromatic variations and ton sur ton or neutral shades foreseen by the colors of the collection. […]
The Julie collection is the skilful reinterpretation of the archetype of the chair and stool in which memory, quotation and modernity come together in a new seat. The combined effect of the formal cleanliness of the structure combined with the simplicity of the materials, with a wide range of colors and finishes, they amplify the […]
The BARDOT tube version stands out for its elegance and shine, which amplifies its stylistic figure with new structures, new pastel shades and vibrant colors, and refined and current finishes. The structure is lightened with clean legs thanks to the use of the metal rod. A pleasantly soft and graceful design, that of the new […]
This Elephant chair is a visual representation of the evolution of office furniture. More than just an office chair, the stylish and elegant design and cool and comfortable leather or practical plastic lining is reminiscent of a modern armchair, remodelled for the world of work.
A family of seatings characterized by a soft and comfortable shape designed for waiting rooms, bars and restaurants and residential.
$1,190
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.
This project is born from the wish to recover rattan as a fine material and reclaim Spain?s rich craftsmanship tradition. Oscar Tusquets tries to give a new look to an ancient technique replacing the brackets and bonds traditionally used as connecting elements by the twinning of one cane to the next.