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Designed by Arik Levy
The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat made also from massive wood.
Finishes:
Structure in solid beech or ash wood in natural, stained or lacquered, upholstery in fabric or leather
Dimensions:
W520 x D560 x H780 mm SH460 mm
Note:
Minimum order of 6 pcs
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The Split high stool links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the […]
The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
The Split armchair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
Oblique corners reminding of ancient obelisk shapes, creating an architectural play of light and shadow. Full volumes seem to float above the floor, on hidden base. Crystal is a collection of sofas and armchairs away from ordinary standards and clichés which gives birth to a suspended and dynamic effect with no need of aesthetical devices. […]
This high stool without a backrest is decorated with eight manually bent beech leg joints, which are the distinctive feature of its classical look. The seat can be enhanced with decorative studs.
The harmonic and enveloping shells in powder-coated metal tubing that define the Skin armchair – designed by Giacomo Cattani – evolve and transform themselves to compose a real collection. The play of colors – a plus that defines the Trabà production – can be emphasized by the many options in terms of shades and fabrics […]