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Designed by Arik Levy
The Split armchair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat made also from massive wood.
Finishes:
Structure in solid beech or ash wood in natural, stained or lacquered, upholstery in fabric or leather
Dimensions:
W620 x D710 x H725 mm SH420 mm
Note:
Minimum order of 6 pcs
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The Split chair links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the seat […]
The Split chair with arms links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind […]
The Split high stool links our more than 150-year-old technology with contemporary design. It is based on manually bent split lengths of massive wood; which, at the same time, are both a design and functional element of seating furniture – it supports the seat and also the backrest. It is elegantly slid in, behind the […]
This high stool without a backrest is decorated with eight manually bent beech leg joints, which are the distinctive feature of its classical look. The seat can be enhanced with decorative studs.
This classic chair No. 14 has been transformed into a barstool. Manually bent beech wood is used for the frame. The seat can be made of plywood, with a decorative relief, cane mesh or it can be upholstered in all types of materials.
Basic chair with essential design, the rod forms the profiles and volumes with graceful symmetry between empty and filled spaces.
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.