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Designed by Alex Gufler
The Merano chair combines the bottom design made of solid wood with harmonic shapes of bent plywood in the seat and backrest. Thanks to the production technology used, it is remarkably light and does not contain any screws or metal pieces. Together with the bar stool, it creates a set with the Merano armchair.
Finishes:
Structure in natural walnut veneer or oak or beech veneer in natural, stained or lacquered, upholstery in fabric or leather
Dimensions:
W490 x D525 x H790 mm SH450 mm
Note:
Minimum order of 6 pcs
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The Merano bar stool combines the bottom design made of solid wood with harmonic shapes of bent plywood in the seat and backrest. Thanks to the production technology used, it is remarkably light and does not contain any screws or metal pieces. Together with the chair and the low bar stool design, it creates a […]
The Merano is one of the most popular product in the portfolio. Innovative design of the chair consists of two axially intersecting molded plywoods guaranteeing a very high level of comfort.
Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then […]
Versatile outdoor chair with powder coated aluminum structure, featuring numerous combinations of different materials and fabrics for seat, backrest and legs. This outdoor chair’s backrest can be made of hand-woven synthetic fiber cord, Textilene or an outdoor waterproof fabric, to choose from the wide range of Varaschin. It is a very handy and durable outdoor […]
$630.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.
$1,850.00
There are objects that are universally recognized as icons. The Costes armchair, which in 1984 marked the beginning of the collaboration between Philippe Starck and Driade, and the consecration of the then-unknown designer in Italy, is certainly one such object. Designed for the now-defunct Parisian caf? of the same name, it owes its enduring success […]