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The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
Finishes:
Structure in solid beech wood in natural, stained or lacquered, seat upholstered in fabric or leather, optional decorative nails details on seat
Dimensions:
W450 x D535 x H800 mm SH460 mm
Note:
Minimum order of 6 pcs
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“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
in the eclectic identity of Driade, i have always perceived a hint of french culture, just as i have always been fascinated by the interiors of parisian homes for their expert combination of furnishings and classical items, along with vintage pieces and contemporary objects.’ Alberto Lievore La Francesa issues from this imaginative background, a refined […]
The overall vision created by the harmony of the beveled shapes, the full volumes and the soft but minimal design is recreated in a more rock, metallic version, thanks to the structure that lightens the seat. A wide range of colors for the padding, covered in velvet, or leather or eco-leather makes it suitable for […]
Characterized by a sophisticated balance between structure and seat, which appears to be suspended, it represents the typical expression of Italian craftmanship. The structure is realized in curved wood, with a natural, black stained or walnut finish, combined with a wooden or covered seat in various finishes.