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The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
Finishes:
Structure in solid beech wood in natural, stained or lacquered, seat upholstered in fabric or leather, optional decorative nails details on seat
Dimensions:
W500 x D535 x H800 mm SH460 mm
Note:
Minimum order of 6 pcs
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“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
This minimalist and highly elaborate chair is a re-design of the classic model No. 14. The designer divided its six pieces by two and 002 emerged – a chair made from only three pieces. Two of them – the manually processed bends – are identical and form legs, backrest and armrests all in one.