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The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
Finishes:
Structure in solid beech wood in natural, stained or lacquered, seat upholstered in fabric or leather, seat in woven cane
Dimensions:
W450 x D535 x H800 mm SH460 mm
Note:
Minimum order of 6 pcs
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A seating with an enveloping and comfortable shape that matches with elegance and simplicity the tables of Sovet’s collection. The Cadira chair wide selection of finishes complete the different types of structure making it adapt for any kind of public or private space.
Rama is the outcome of the meticulous details of the designers and the technology used by Kristalia from the outset: a return to wood processing, typical of the area where Kristalia is based. The chair features clear-cut lines that are also warm and attractive, perfectly matching the style of Kristalia.
The chair design is based on the idea of a compass. The theme achieves a beautifully clean and balanced effect by designing the legs as one inverted V. When viewed from the side we can appreciate the balanced effect achieved by a compass. The seat itself is then sitting across these legs, which again, from […]
$1,390.00
Tiracord, designed in 1961, exemplifies Vilanova?s lifelong aim to elevate the utilitarian through design