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The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
Finishes:
Structure in solid beech wood in natural, stained or lacquered, seat upholstered in fabric or leather, seat in woven cane
Dimensions:
W450 x D535 x H800 mm SH460 mm
Note:
Minimum order of 6 pcs
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Created in 1958 for the interior of the Chamber of Commerce of Milan, this chair is designed to combine comfort and stackability. The same concept was revived for contemporary settings, but with a fundamental difference: unlike the iron frame of the original project, it is now in warm ash wood.
Mei is a lacquered wood chair that distills the Ming archetype into a clean, rectilinear silhouette with a quietly modern stance. Pared-back details are softened with an upholstered seat. It reflects a universal elegance that feels both familiar and new.
Even a classical image, as a railed chair, in the hands of Philippe Starck acquires a particular connotation. In Pip-e, the sequence of horizontal elements, which create the seat and back definetly, takes on a strong chiaroscuro and goes, unexpectedly, to accompany the bending of the knees.