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Since 1859, when chair No. 14 was first introduced, more than 80 million units have been sold all over the world. Its iconic shapes are created by six manually bent beech rods, two bolts and ten screws. Thanks to its low weight, attractive price and legendary strength, this chair quickly found its place in the cafes of Vienna, earning the nickname the “café chair”.
Finishes:
Structure in solid beech wood with veneer seat in natural, stained or lacquered
Dimensions:
W410 x D515 x H840 mm SH460 mm
Note:
Minimum order of 6 pcs
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“MT”, or the initials that calls these pieces designed by Ron Arad, are pronounced in English as “empty”. The void is the key element of this project. The volume, made through a rotational molding, is in fact carved and shows provocatively the inside, finished in different colors. From the typological point of view also worth […]
A Scandinavian design, this chair is in keeping with their taste for fresh minimalist shapes and corners, combined with simplicity and colours that both enhance and compliment a room. This is no ordinary chair as well as being functional and with plenty of aesthetic value; it also comes with strong foundations and is extremely durable. […]
$3,890.00
With Lanuda chair, Riccardo Blumer evolves his design research on seats, moving from the wood of Laleggera designed in 1996 to aluminium. Even if Laleggera and Lanuda embody the same principle of essential subtraction – the former employing minimal wood thicknesses in a box structure, the latter using aluminium sheets crafted following a reticu- lar […]
The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.