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Since 1859, when chair No. 14 was first introduced, more than 80 million units have been sold all over the world. Its iconic shapes are created by six manually bent beech rods, two bolts and ten screws. Thanks to its low weight, attractive price and legendary strength, this chair quickly found its place in the cafes of Vienna, earning the nickname the “café chair”.
Finishes:
Structure in solid beech wood with veneer seat in natural, stained or lacquered
Dimensions:
W410 x D515 x H840 mm SH460 mm
Note:
Minimum order of 6 pcs
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The Doodle concept lies in a unique stitching design. A family of organically shaped seating furniture dressed with a padded removable cover. The irregular pattern follows the silhouette of the seat and meanders inwards towards the centre.
$2,650.00
Archetypal shapes in architectural geometry inspire these historical masterpieces._ Designed by the great contemporary architect from the Ticino canton for the interiors of some of his famous buildings, they have become classics in the Alias catalogue, icons of design made in Italy. Main features are the seats seconda, in perforated sheet steel.
Many years ago, at its beginning, Lord Yo was simply a polypropylene easy chair with an aluminum structure, now it’s an icon. Recognized and recognizable anywhere and by anyone. It took Philippe Starck to carry out such an extraordinary stunt, built with soft curves and raised back, almost a throne, and slightly bent legs. Then […]
$1,250.00
Originally created to seat visitors in the dining rooms of the Royal Festival Hall, the RFH Armchair by Robin Day is charactericed by the softly curved backrest and outwardly reaching arms. Rich in materiality, the chair’s striking form is achieved through a process of form-press moulding layers of beech and walnut veneer.