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Since 1859, when chair No. 14 was first introduced, more than 80 million units have been sold all over the world. Its iconic shapes are created by six manually bent beech rods, two bolts and ten screws. Thanks to its low weight, attractive price and legendary strength, this chair quickly found its place in the cafes of Vienna, earning the nickname the “café chair”.
Finishes:
Structure in solid beech wood in natural, stained or lacquered, seat upholstered in fabric or leather, seat in woven cane
Dimensions:
W410 x D515 x H840 mm SH460 mm
Note:
Minimum order of 6 pcs
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The chair, inspired by a model from 1930 by Josef Hoffmann, blends his interest in Art Nouveau and simple shapes with manufacturing processes applied in Bystrice pod Hostynem since 1861. The armchair is therefore more geometrical, but bears the clear features of the manual bending technique of TON.
$840.00
Designers Jakob Thau & Sami Kallio turn things inside out with their chair that features usually hidden seat webbing as a design element. Crafted using natural linen fibers, the flexible webbing seat cradles the the body for maximum comfort. BettyÕs single-piece wooden frame is lightweight yet inherently stable and the chair is stackable.
$630.00
A symbol in the history of design, spaghetti is the first Alias chair to appear in the MoMA collection of New York. The Spaghetti chair is an excellent example of material and formal simplicity that multiplies, in its many variants, the opportunities for use.